Edge -2013- -flac 24-192- | Yes - Close To The
In the pantheon of progressive rock, few albums stand as tall, as enigmatic, and as utterly transformative as Yes’s 1972 masterpiece, Close To The Edge . For decades, audiophiles and Yes fans have debated the best way to experience the swirling Hammond organ, Chris Squire’s growling Rickenbacker bass, Jon Anderson’s ethereal vocals, and Bill Bruford’s jazz-inflected drumming. The answer, for many, arrived in 2013 with a specific digital release: .
from the original 1972 master tapes. This provides the most authentic representation of the original production by Eddy Offord, preserved without modern EQ or compression. Steven Wilson 2013 Stereo Remix:
Here are a few options for your post, depending on the vibe you want to set. These drafts highlight the technical "holy grail" status of the and the massive FLAC 24-192 resolution. Yes - Close To The Edge -2013- -FLAC 24-192-
: A unique addition featuring a pristine 24-bit / 96 kHz transfer of an original UK vinyl A1/B1 pressing. Tracklist Close To The Edge (18:43) I. The Solid Time of Change II. Total Mass Retain III. I Get Up I Get Down IV. Seasons of Man And You And I (10:09) I. Cord of Life II. Eclipse III. The Preacher The Teacher IV. Apocalypse Siberian Khatru (8:57) Purchase & Streaming Options
Unlike the original CD releases, which could sound thin or brittle, and the later 1994 remasters, which some find a bit "bright" or harsh on the high hats, the 2013 remaster was handled with extreme care. It utilizes the , meaning it doesn't suffer from the "modernized" drum sounds or awkward panning that plague some 5.1 remixes. It is the album as you remember it, only clearer. In the pantheon of progressive rock, few albums
Remixed by Steven Wilson to bring out individual instrumental and vocal clarity while staying faithful to the original spirit. 5.1 Surround Mix (24-96):
Let’s address the elephant in the room: Is 192kHz overkill? For some albums, yes. But Close to the Edge is not "some album." It is a dense, layered tapestry of Rickenbacker bass runs, Hammond organ swells, Mellotron choirs, and Steve Howe’s acoustic arpeggios that flicker like candlelight. from the original 1972 master tapes
for the new stereo and 5.1 surround versions. These remixes utilize the original multitrack recordings to uncover instrumental details previously buried in the original 1972 mix. Dynamic Range: