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Kerala is the land of vehement political ideologies—communism, Congress socialism, and right-wing nationalism. Malayalam cinema has, at its best, engaged deeply with this. From the labour union anthems of Akkaldama (1985) to the nuanced critique of post-communist disillusionment in Vasanthiyum Lakshmiyum Pinne Njaanum (1999) and Munnariyippu (2014), the films capture the Malayali’s obsession with political flags, strikes, and union meetings. More recently, Jaya Jaya Jaya Jaya Hey (2022) uses the structure of a political satire to dissect domestic patriarchy, showing how personal politics is deeply public in Kerala.