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Take Kireedam (1989). It is the quintessential Malayalam tragedy. A cop’s son, an innocent young man, gets labeled a "rowdy" by accident and is slowly crushed by the weight of societal expectation. He does not win. He does not get the girl. He ends up an alcoholic. For a global audience addicted to happy endings, this was shocking. For a Malayali, it was Tuesday. This raw, unflinching gaze at is perhaps the most enduring trait of the culture.