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While Unni Mary herself didn’t star in a film titled Blue , her filmography aligns beautifully with the mood of “blue classic cinema” — melancholic, poetic, visually rich, and emotionally deep. Films from her era (like Avalude Ravukal , Ashwamedham , Manimuzhakkam ) often used blue lighting and rain-soaked frames to evoke longing and nostalgia — a hallmark of vintage Malayalam art-house melodrama.