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| Period | Primary Visual Media | Typical Depictions of Women | Societal Message | |--------|---------------------|-----------------------------|------------------| | | Stone inscriptions, copper plates, early murals | Poetic “kannagi” (maiden) in love and war songs | Idealized beauty, moral virtue, and bravery | | Medieval Chola & Pandya (9th–13th c.) | Temple reliefs, bronze statues | Devotees, mothers, dancers (e.g., Sadir ) | Spiritual devotion, patronage of arts | | Colonial Era (18th–20th c.) | Photography, travelogues | “Exotic” or “submissive” stereotypes in foreign eyes | Colonial gaze, early documentation of everyday life | | Post‑Independence (1947‑present) | Malayalam/Tamil cinema, advertising, social‑media | From the “ideal housewife” to empowered professionals | Shifting gender norms, feminist activism, diaspora narratives | | Digital Age (2000s‑present) | Instagram, YouTube, stock‑photo sites | Diverse roles: entrepreneurs, athletes, scholars | Global visibility, self‑representation, community building | If you clarify your actual intent