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It wasn't supposed to be like this. Elias was a filmmaker, or at least he had been when he arrived in the city with a vintage Arriflex and a head full of dreams. Now, he was a freelance digitizer for "The Vault," a mysterious archival service that paid in untraceable crypto to process old, unlabeled tapes from the late 90s and early 2000s.
Elias sat up, captivated. He had watched thousands of these. Usually, they ended with a "Thanks, we’ll call you." But as Clara finished her monologue, the screen didn't cut.
