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This iconography was not neutral; it served a specific ideological function. It reinforced a social contract wherein a woman’s power—particularly sexual and social power—expires with her youth. As cultural critic Susan Sontag argued in her seminal essay "The Double Standard of Aging," aging is framed as a "humiliation" for women, a loss of status not equivalently applied to men (Sontag, 1972). For decades, cinema was the primary vehicle for this cultural indoctrination.
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The Academy Awards have long been a lagging indicator of industry change, but even this conservative institution has shifted. The days of the "Best Actress" category being a race between 20-somethings are fading. The last decade has seen a stunning coronation of mature talent. This iconography was not neutral; it served a
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