Introducing BAE Systems OneArc (OneArcTM), a new kind of defense tech innovator — fast, open, and collaborative — delivering the synthetic environments that modern defense depends on. We unite decades of proven commercial innovation in simulation, interoperability, and geospatial technology with the scale and trust of BAE Systems, Inc.
The right balance. The right people. The right experience. The right solutions.
We have redefined U.S. and NATO defense training benchmarks, helped establish NATO interoperability standards, and earned the trust of more than 60 nations and 300 integrators.
Derisk.
We offer more than 30 years of trail-blazing experience in synthetic training, simulations, interoperability, geospatial, data analytics, and AI.
Deliver.
We deliver a comprehensive and growing portfolio of ready-to-go products, services and solutions, as well as custom software that ensure decision advantage and mission success.
Crash-1996- ((full)) Jun 2026
The film’s thesis is radical: in a world saturated by technology, our deepest desires are no longer biological, but technological. The characters cannot achieve orgasm through simple touch; they require the ritual of the crash—the impact, the wound, the scar. The most erotic moment in the film is not a kiss, but when James and Helen, both bearing the same leg brace from their shared accident, compare their injuries. The wound has replaced the genitals as the locus of identity and desire.
After his car swerved across the median on a rain-slicked London motorway, the world ceased to be about destinations and became about the geometry of impact
Led by the scarred, enigmatic Vaughan (Elias Koteas), this group views car accidents not as tragedies, but as "reshaping" events. They meticulously reenact famous celebrity car crashes—such as those of James Dean or Jane Mansfield—viewing the mangled metal and wounded bodies as a new form of evolution. The Cronenberg Aesthetic
OneArc will be attending FIDAE 2026, where our Business Development Director for EMEA Craig Turner will be ready to discuss how our simulation products and Solutions ... Read More
Apr 07, 2026
Santiago International Airport, Santiago, Chile
Space Symposium 2026
OneArc will be attending Space Symposium, where our team of experts will be ready to discuss how our simulation products and Solutions can support your evolving train... Read More
Apr 13, 2026
The Broadmoor, Colorado Springs, CO USA
ITEC 2026
OneArc will be attending ITEC 2026, where our team of experts will be ready to discuss how our simulation products and Solutions can support your evolving training re... Read More
Apr 14, 2026
Excel Center, London, UK
The film’s thesis is radical: in a world saturated by technology, our deepest desires are no longer biological, but technological. The characters cannot achieve orgasm through simple touch; they require the ritual of the crash—the impact, the wound, the scar. The most erotic moment in the film is not a kiss, but when James and Helen, both bearing the same leg brace from their shared accident, compare their injuries. The wound has replaced the genitals as the locus of identity and desire.
After his car swerved across the median on a rain-slicked London motorway, the world ceased to be about destinations and became about the geometry of impact
Led by the scarred, enigmatic Vaughan (Elias Koteas), this group views car accidents not as tragedies, but as "reshaping" events. They meticulously reenact famous celebrity car crashes—such as those of James Dean or Jane Mansfield—viewing the mangled metal and wounded bodies as a new form of evolution. The Cronenberg Aesthetic